BEGIN:VCALENDAR VERSION:2.0 PRODID:Linklings LLC BEGIN:VTIMEZONE TZID:Asia/Seoul X-LIC-LOCATION:Asia/Seoul BEGIN:STANDARD TZOFFSETFROM:+0900 TZOFFSETTO:+0900 TZNAME:KST DTSTART:18871231T000000 DTSTART:19881009T020000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTAMP:20230103T035309Z LOCATION:Room 320\, Level 3\, West Wing DTSTART;TZID=Asia/Seoul:20221207T160000 DTEND;TZID=Asia/Seoul:20221207T180000 UID:siggraphasia_SIGGRAPH Asia 2022_sess252_ext_106@linklings.com SUMMARY:“Comandante’’: Braving the Waves With Near Real-Time Virtual Produ ction Workflows DESCRIPTION:Exhibitor Talks\n\n“Comandante’’: Braving the Waves With Near Real-Time Virtual Production Workflows\n\nCaffrey\n\nDan Caffrey is the Vi rtual Production Specialist at Foundry, working closely with the Real-Time Research team to conceptualise and develop the future of filmmaking tools and workflows. Dan is an Unreal Engine Fellow and previously worked at In dustrial Light and Magic in both Layout and Motion Capture on shows such a s Star Wars and The Mandalorian. Dan went on to join Stagecraft Virtual Pr oduction on set and as part of the Virtual Art Department on productions w hich include The Midnight Sky and The Batman. Previously, Dan worked in bo th creative and pipeline technology roles at DNEG, where he contributed cr eatively to the award-winning Ex Machina and Interstellar. \n\nThe naval f eature film "Comandante" is to be shot on a water stage within a waterproo f but very low-res LED volume. The near real-time workflow immediately imp roves the quality of the shot, seamlessly bridging in-camera VFX and post- production, allowing VFX to start on-set as soon as the director says "cut ."\n\nRegistration Category: FULL ACCESS, EXPERIENCE PLUS ACCESS, EXPERIEN CE ACCESS, TRADE EXHIBITOR\n\nLanguage: ENGLISH\n\nFormat: IN-PERSON URL:https://sa2022.siggraph.org/en/full-program/?id=ext_106&sess=sess252 END:VEVENT END:VCALENDAR