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TZID:Asia/Seoul
X-LIC-LOCATION:Asia/Seoul
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DTSTART:18871231T000000
DTSTART:19881009T020000
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BEGIN:VEVENT
DTSTAMP:20230103T035347Z
LOCATION:Exhibition Hall 2\, Level 1\, West Wing
DTSTART;TZID=Asia/Seoul:20221207T100000
DTEND;TZID=Asia/Seoul:20221207T180000
UID:siggraphasia_SIGGRAPH Asia 2022_sess224@linklings.com
SUMMARY:Art Gallery
DESCRIPTION:Art Gallery\n\nTrajectories of Time: Sustainable Ecologies and
  Non-fungible Entities \n\nWhat does sustainability and non-fungibility me
 an in today’s Worlding? \n\nAt the Art Gallery, we speculate and envision
  sustainable ecologies and non-fungible entities that are constantly resha
 ped, recreated and restored in the trajectories of time. Tokens of hopes a
 nd promises are taken to explore and experiment with digital media not onl
 y to discover terrains of co-existence but also to reflect on current medi
 a landscapes. We cordially invite you to savour the time at the Art Galler
 y, where sustainability and non-fungibility is possible because of imperfe
 ctions, uncertainties, and contingencies, we as beings are, not in spite o
 f.\n\nScope of the Cloud\n\nOh\n\nScope of the Cloud sets its stage on a f
 loating city in 2051, CLOUD,  a city of climate refugees. Each game consol
 e sets Planner, Researcher, and the Flightless bird as the main protagonis
 t. In a playful way, the game questions how mobility can affect ecosystems
  and human lives.\n\n---------------------\nRemembrance: Magma\n\nChoi\n\n
 Remembrance: Magma is an immersive virtual reality animation addressing th
 e poetics of a mind as it is dying of dementia.\n\n---------------------\n
 Keep Smiling\n\nGuljajeva, Canet Sola\n\nKeep Smiling is an online interac
 tive experience in the form of a job interview conducted by an 'AI agent'.
  The agent asks the participant to smile, to smile even more, and to count
  objects she/he can see through a nearby window while continuing to smile.
 \n\n---------------------\nChandra X\n\nYeom, Jang\n\n〈Chandra X〉 speculat
 es on the state of nature and biodiversity as “hyper-capital”, especially 
 under an interplanetary-scale surveillance system powered by virtual-real 
 networks and neo-colonialist interactions. The work reimagines the perform
 ative engagement of Chandra-as-a...\n\n---------------------\nRiver Concer
 t\n\nWU\n\nHave we ever heard the voice of river carefully? We use the tec
 hnology of speech recognition, including the emotion recognition function 
 to analysis audio samples of underwater recording. So we can hear the unde
 rwater sound into a dynamic piece of music and let the river play the musi
 c itself.\n\n---------------------\nPeople of the Gold\n\nYang\n\n"People 
 of the Gold" reflects on the history of early Chinese immigrants during th
 e Gold Rush period. Multiple moving portraits were generated by machine le
 arning algorithms trained with historical documents. The project explores 
 the potential of machine learning in visual anthropology and raises qu...\
 n\n---------------------\nGaia\n\nJang\n\n'Gaia' is an eco game where you 
 can experience the changes in Earth in the Anthropocene based on everyday 
 choices such as food systems, electricity use, and virus infection. Indivi
 dual players join through the website and its virtual Earth respawns multi
 ple times based on the choices of all multiple...\n\n---------------------
 \nRepository\n\nZhang\n\nA VR art experience provides a conceptual respons
 e to the issues of data authorship and data oblivion. It visualizes 1945 T
 witter posts retrieved from Twitter API under the construction of a server
  farm with a paper shredder. It questions the possible future of digital h
 eritage.\n\n---------------------\nInner self drawing machine\n\nZhang, Xi
 e, Huang, Pai, Chernyshov...\n\nThere are gaps that exist between our inne
 r gender identity and outer gender expressions, those gaps are even more s
 evere for those sexual minorities. Therefore we expect to contribute to bu
 ilding an empathetic understanding of sexual minorities via our inner-self
  drawing machine which can draw thei...\n\n---------------------\nThe Emer
 ging Media Art Performance of Eine Kleine Nachtmusik\n\nLee, Kwon\n\nThis 
 performance aims to transform the traditional classical music experience t
 hrough emerging media technology. Generative visualization will analyze an
 d use not only musicians’ audio but also audience-generated noise and ambi
 ent sound. This will make the audience’s expression part of t...\n\n------
 ---------------\nThe Patient 05\n\nLE, Bjerkeli\n\nMany assumed that the i
 ncreased use of modern technology in the workplace would allow mankind to 
 sit back more, yet some people are working longer hours than ever. The Pat
 ient series by Axl Le reflects on the role of a modern work environment an
 d how it impacts our life.\n\n---------------------\nLizardians\n\nLee\n\n
 Lizardians is a three-channel 3-D animation that depicts a world in which 
 the human body has been commercialized for mass consumption. The lives of 
 two people unfold synchronously to reveal the consequences of the late-cap
 italistic system on individuals' freedom, labor, creativity, and authorshi
 p.\n\n---------------------\nPerception of War: AI Data Universe\n\nYoon, 
 kim, Kim, Yoo\n\n'Perception of War' analyzes and visualizes 60,000 human 
 perception data about the Ukraine war through AI technology. The modality 
 of collective perception, left in a fascinating and somewhat bizarre form,
  provides a critical perspective on the Ukraine war behind the data and th
 e context of capital,...\n\n---------------------\nWindow\n\nYu, Min, Zeng
 \n\nWindow is an interactive multimedia installation that reconstructs the
  Quarantine experience with point clouds, sound and diary texts. It create
 s a poetic digital environment, arouses the audience's empathetic feeling 
 together and reflects on the relationship between body and space, the indi
 vidual a...\n\n---------------------\nMulti-lingua-body\n\nManabe, Takamin
 e, Hartanto, Maeno, Fukubayashi\n\nWorldwide StRhyme is an experience that
  rhymes in many languages by selecting words through stepping forward aimi
 ng to blur the boundary of words as sound and meaning. \nWe explore new me
 dia making languages sustainable following oral, priniting, radio broadcas
 ting, and texting, because language is n...\n\n---------------------\nIllu
 sory Land\n\nWANG, Su, Chen, Li, Lin...\n\nThis video is a 360-degree imme
 rsive experience, using the latest real-time game engine, allowing the aud
 ience to immerse themselves in a surreal Oriental landscape fantasy, Exper
 ience dreams and memories of the past, present, and future growing, changi
 ng, disintegrating, and reorganizing in a chaot...\n\n--------------------
 -\nModern Rescue 2022ss\n\nMao, Fang\n\nThis work is a virtual catwalk ani
 mation based on modern urban diseases, consisting three themes: informatio
 n leakage, social behavior alienation, and environmental degradation. Taki
 ng the catwalk as the form of presentation. This work aims to inspire peop
 le to focus on the Sustainable Development G...\n\n---------------------\n
 Land Enough\n\nAgcal, LC, Yin, Li\n\nLand Enough uses the issues of rising
  sea levels, energy, waste, and diversity in a fictional climate-destroyed
  future. Each participant was given the role of explorer, architect, scien
 tist, or engineer to create artful technologies in a fictional climate-des
 troyed future. These post-apocalyptic tec...\n\n---------------------\nNip
 po-Latin American Land\n\nIbańez Sandoval\n\nThe installation consists of 
 an urban/rural Japanese landscape influenced by a Latinx community. Model 
 structures are made of printed photographs and small screens for seeing de
 tails, both part of a bigger collection. In this setting, attendees will b
 e able to see the visual communication of the cit...\n\n------------------
 ---\nOrigami Tessellations Induced by Growth\n\nTachi, Horikawa, Kanaoka\n
 \nWe create a series of origami tessellations by simulating the growth of 
 membranes. The self-organized winkling patterns allow the transformation o
 f one surface into another with a different curvature without stretching o
 r shrinking . Our work demonstrates the universality of the principle of f
 olding...\n\n---------------------\nDigital Being: Thinking of the Stars\n
 \nPark\n\nNFT creatures were streamed over the internet to old abandoned T
 Vs like the new souls of the machines.\n\n---------------------\nHuman-lik
 e non-human – HAOS human electrical cognition liberation project Ver 1.0\n
 \nLai\n\nThe project “human-like non-human – HAOS human cognition liberati
 on project” to attempt using electrical perception sensing in the oral reg
 ion as an addition to the Eight Consciousness defined by Buddhist discipli
 nes and expanding beyond the biological identity of a human.\n\n----------
 -----------\nVoight-Kampff 2.0\n\nFang, Yan\n\n"Voight-Kampff 2.0" is a sc
 i-fi interactive experience including a questioner and a suspect. The judg
 ement is made by questioner to confirm suspect’s identity through emotiona
 l fluctuations. Significance of maintaining self-awareness in relationship
  of human-machine is emphasized in this work,...\n\n---------------------\
 nZeroth: The self-awareness sense embodied by facing the coexistence of th
 e physical and virtual bodies in the mirror\n\nMiura, Uchida, Kawamura, Ze
 mpo\n\nToday, physical reality and the XR/metaverse, here and there, are b
 eing connected without seams. In this art Zeroth, the user simultaneously 
 confronts oneself in physical reality and oneself in XR. This experience a
 llows the user to consider the appropriate ritual actions.\n\n------------
 ---------\nWander [001]\n\nSun, Cheng, Xu, Li, Lee...\n\nThis is a public 
 art project centred on an AI chatbot called Wander. She can generate inter
 active fiction based on real-world locations’ knowledge graphs. Through pu
 blic participation, the stories are visualised on an interactive map, a fi
 ctional earth chronicle contributed through crowdsource...\n\n\nRegistrati
 on Category: FULL ACCESS, EXPERIENCE PLUS ACCESS, EXPERIENCE ACCESS, ON-DE
 MAND ACCESS, TRADE EXHIBITOR\n\nFormat: IN-PERSON, ON-DEMAND
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